Skull on a tombstone
A plucky, independent press based in Fort Wayne, Indiana, Oldstyle Tales Press specializes in annotated and illustrated critical editions of classic ghost stories, weird fiction, and gothic horror from the Classical Era of Supernatural Fiction (1795 - 1935). Our mission is to make classic horror more accessible with an engaging aesthetic and clean design: to make the sort of books we would like to own, ourselves. Reading the classics should feel like an adventure -- not homework -- and we aim to bring that adventure to your armchair.


In spite of the disastrous plummet of the book market since the Great Recession of 2008, there has been a boom in affordable classics. Corporate publishing companies have rushed to produce cheaply priced and cheaply produced editions of foundational novels like The Great Gatsby, A Tale of Two Cities, Robinson Crusoe, and The Scarlet Letter. Oldstyle Tales aspires to fill the gap between the high-cost academic editions and the flimsy-but-affordable mass productions thrown together on a word processor and jacketted with a photoshopped cover.

Classic ghost stories, horror, and weird fiction deserve the delicate and involved attention that they cannot find in copy/pasted discount editions, at a better price and with more intimate editorial hand than they receive in the excellent, if dry academic publications in university bookstores. While we may create an editorial wing to address non-horror masterpieces of literature, at this moment in time our concern is for the supernatural and weird - the classic ghost story. With care, precision, interest, and passion, we pledge to provide affordable, informative, and intriguing volumes of the most sublimely crafted members of the supernatural canon.



















Michael Grant Kellermeyer is an English professor, bibliographer, illustrator, editor, critic, and author based in Fort Wayne, Indiana. He earned his Bachelor of Arts in English from Anderson University (2010) and his Master of Arts in Literature from Ball State University (2012). He taught college writing and literature in Indiana for nine years at Ivy Tech Community College, Ball State University, and the Indiana Institute of Technology.


He founded Oldstyle Tales after noticing that it was difficult to find literary criticism or commentary on short horror fiction. Its first title, The Best Victorian Ghost Stories, was published in September 2013, followed shortly by editions of Frankenstein and The Annotated and Illustrated Edgar Allan PoeToday it has 36 titles in print.


In his free time, Michael plays Classical violin, watches old movies, and spends time outside in nature or swinging on his front porch with his wife Kierstin and daughter, Charlotte. Michael finds delight in straight razors, briarwood pipes, Classical music, jazz standards, sea shanties, the films of Vincent Price, Alfred Hitchcock, and Stanley Kubrick, sandalwood shaving cream, freshly-laundered sheets, gin tonics, and mint tea.


Our hallmark "Candle-Shine" illustrations are composed of pencil sketches done on 6 x 9 paper; the pictures are drawn like photograph negatives, then scanned, the color is digitally inverted, and the image is touched up and edited. They strive for a chiaroscuro feeling - that is to say a composition largely composed of deep shadows interspersed with glowing swathes of light, and gleaming highlights. Edward Gorey, Gustave Dore, Barry Moser, Heinrich Fuseli, Arthur Rackham, Harry Clarke, W. Graham Robertson, Godfried Schalcken, Howard Pyle, N. C. Wyeth, Maxfield Parrish, John Singer Sargent, Winslow Homer, and John Atkinson Grimshaw are influences to the mood, tone, and style of our illustrations.


Here's a side-by-side "before and after" of H. G. Wells' "Pollock and the Porroh Man," a Christmas story of a man haunted by a witch doctor's severed head. On the left is the pencil drawing I made; on the right it has been inverted and touched up with Pixlr editor.


The greatest care is made to ensure that accurate, detailed, and helpful critical material accompanies the fiction included in this volume. Annotations and introductory notes are created using peer-reviewed scholarly articles accessed from JSTOR, Project MUSE, EBSCO Host, and bound collections of criticism accessed at Indiana University, Ball State University, Purdue University, and through interlibrary loans. Definitions and references are informed by the Oxford English Dictionary, the Dictionary of English Nautical Language, the Encyclopædia Britannica, Grolier Online, and credible online databases. Foreign translations are only released after comparing the results of several books of grammar pertaining to the source language. Biographical, critical, and contextual information regarding the writer, their work, and their world are generated after consulting peer-reviewed biographies, reference works, compendiums, collected correspondences, histories, and literary criticism.


two versions of a pencil drawing