A Ghost Story for Hallowe'en: 'The Yawning, Colorless Chasm'
A drifting couple leave their bustling Chicago neighborhood to photograph a covered bridge outside of the wife's rural hometown. Desperate for money, they are being paid to spend the night at the supposedly haunted spot, photograph anything unusual, and return the pictures to an eccentric anthropology professor. The husband's bitter cynicism and the wife's open-hearted curiosity only increase the stress on their rickety marriage, but when strangers arrive at their overnight photo shoot, violence, ritual murder, and trans-dimensional experiences will change how they view themselves, each other, and the shape of the universe.
T H E Y A W N I N G , C O L O R L E S S C H A S M
DEDICATED TO BRIAN O'CONNELL,
My friend and faithful fan
“The Ceylon Covered Bridge is located on CR 950 S. at Limberlost County Park in the county area outside of Ceylon and Geneva. Originally and historically known as Baker Bridge, it was built in 1879 by Bridge Smith Co. of Toledo, Ohio, and was one of 23 covered bridges spanning the Wasbash River. Today, the Ceylon Covered Bridge is the last remaining covered bridge over the Wabash, and was added to the National List of Historic Places in 2007. Running 135 feet long, the Ceylon Covered Bridge was fabricated using a Howe Truss design.
“...this bridge is often found on lists of haunted placed [sic] in Indiana. One such story tells of a grim event happening there, although there is of course no factual proof. Local lore states that a group of teenagers performed a séance on the bridge many years ago. During the séance, a body supposedly fell through the roof, leaving a large blood stain on the floorboards by the pentagram drawn by the teens. Perhaps this is why it needed restoration. [Many locals avoid the area today, and some claim that a portal to another world was opened during the séance, and that it remains open to this day -- REDACTED SINCE AUGUST 2018].”
— Town of Geneva Website, www.townofgeneva.org/ceylon-covered-bridge
“Throughout history and literature, from the supernatural flights in ‘The Legend of Sleepy Hollow’ and ‘Tam O’Shanter’ to fairy tales like ‘The Three Billy Goats Gruff’ and the ‘Cry Baby’ bridges of urban legend, bridges have been viewed as areas with unusual supernatural activity. They are places prone to haunting and notorious for dangers both real and imagined. Many scholars identify this association with bridges’ perceived ability to defy natural law, allowing mortals to cross areas which nature never intended them to span. Conscious of this break in the natural order, superstitious cultures believed that bridges were capable of attracting the interest and fascination of dark, outer powers.”
— Millennium Book of Folklore, Superstition, and Mysticism, pg. 125
The interstate reached out between two shaggy bands of maples and ash trees, rising and falling along the humps of hills, carrying the small electric car east – away from the vivid frenzy of Chicago, towards the slumbering prairies where her family had been settled for four generations. She did not welcome the return, but it paid money and they needed money. More than anything they needed a distraction. Her husband sat behind the wheel, looking distantly over the dashboard as if watching every yard of pavement disappear under their bumper with the bored desperation of a man longing to pull over and walk off into the woods. He reached over dully and turned the radio up, returning his hand to the part of the steering wheel where it had rested without prior interruption for the past hour. His eyes returned to the pavement, counting the yards slipping under their tires.
She hadn’t made him come back to her hometown since their wedding – that was four years ago – and he had been perfectly content keeping five hours between them. They Skyped into her family get-togethers and sent cards for Christmas and birthdays, but other than her mother’s triannual visits to Chicago, they hadn’t been forced to leave the liveliness of Wicker Park where his vegan donut shop had given them plenty of excuses to stay put: the holidays were busy times; he had to be up by 3:00 am six days a week; Saturdays were the only day he had off, and he needed it to unwind. It wasn’t that her family was obnoxious or even unpleasant, but they were backwards and ignorant and infused their family reunions with subtle obligation and guilt.
He wasn’t a practicing vegan – sometimes he ate fish, or eggs, and once a year or so he might have free range chicken – but her family always made a fuss out of presenting him with a special salad when they visited. She was a strict vegetarian, so also attracted a degree of confusion, but at least she could put ranch dressing on her salads, and could eat Aunt Jenny’s whipped cream-saturated dirt pudding. She had promised him – after five years of living together – that if they got married he wouldn’t have to visit home unless it was an emergency. Now Aunt Jenny was dead and more of the grandchildren had moved away – to Denver, to Columbus, to Nashville, to Minneapolis, to Houston – and Christmases and Thanksgivings were mostly for the parents and grandparents. They had been freed of their obligation to pretend that the past was the present, to be anchored to the ignorance of obsolete generations and dying elders.
Instead, they spent the majority of their time travelling – seeing the world and living out of hostels. The excuse about his workload was a lie; he had two managers to run things when he needed to leave town, and the vegan pastries were impossibly popular with the Wicker Park community, keeping money flowing into their coffers. She was a photographer focused on boudoir photoshoots for single women, elopements in the Lake Michigan area, and photoshoots of couples on vacation. This took her out of town and all over the country, and most of the time she brought him with her; he had majored in Business with a minor in Photography, which is how they met: she was a teaching assistant for one the professors in her department and he was finishing his thesis for the minor – a black-and-white study of drapery in abandoned houses – and she was drawn to his vision; he had a taste for delicacy that struck her as unusual for a man, and spent the semester trying to get to know the moody, bearded junior with the green eyes. Since then they had been inseparable – they shared everything: a love of travel and photography, of ‘80s music and postmodern art, of whiskey and cigarettes, of road trips and dive bars. They burrowed into the lush frenzy of an itinerant life – roaming spontaneously – and were fused by their shared passions.
But the past four years of legal marriage brought with it a solemness – an end of adventure and wonder – that haunted them with monotony. This only grew heavier as they neared thirty and began to realize the weight of their debts; three backpacking trips to Europe in the last four years, a vacation in South Korea, and a week spent in India had come at considerable cost, and while they both tried to work hard enough to afford their adventures, the income from the donut shop and her photoshoots was just enough to support their life in Chicago and on the road, but it hardly left enough to cover two overseas journeys a year.
And that was why they were driving east – towards her hometown on an assignment: take photos of the Ceylon covered bridge at sunset, night, and sunrise. The overnight commission brought with it a staggering price tag of $5,670 – enough to pay off their last trip to Amsterdam – and easily excused the necessity of leaving the lights of the city for the dust of the Heartland.
To find the bridge in this story you will need to go to a town in northeastern Indiana that used to be a wilderness called the Limberlost Swamp. The swamp itself – largely drained but still alive on the outskirts of the town, going so far as to hug the sides of Highway 27 as it heads south – has a strange history. The American Indians had a name for it which the Yankees pronounced “Loblolly” – a pretty word that sounds like summer and youth, but its meaning in the Miami language is “stinking bog” – an allusion to the sulfuric odor of rancid vegetation and decomposing animals. To the Miami tribe the Loblolly Swamp was a place to be avoided – never to be entered too close to dusk, and never to be hunted in alone.
A tangled, buzzing marshland known for its blend of beauty and treachery, it gained its English name during the infancy of Indiana’s statehood after “Limber” Jim Corbus disappeared in its thorny clutches. Limber Jim was a popular hunter and lumberjack, known for his skill in traversing the bogs and woodlands, and yet one day he entered the swamp with a rifle over one shoulder, and it never let him out. Days later the lumberjacks’ calls of “Turn out! Limber’s lost!” were heard booming amongst the labyrinth of trees, but the search was a failure, and the swamp where Limber was lost became a source of superstitious anxiety until it was gradually drained and dominated by human ingenuity: whatever had taken Limber from the realm of the living surely need not be worried about any longer. As the swamp water receded into ditches and rivers and lakes, dirt roads were cut through the drying woodlands, and in 1879 a bridge was constructed over one of those gorges – a fat, lazy projection of the winding Wabash River as it snakes its way through the Hoosier interior – and although the road has been diverted since the 20th century, the old bridge still stands.
To make your way there you will need to drive north on Highway 27 until you pass through the town of Geneva, turn right at the Ehre Farm Stand just outside of town, where they sell tomatoes and peppers in the summer, and pumpkins and onions in the fall. This road will twist its way through a village called Ceylon – a loose collection of houses gathered on an informal grid of streets with tree names like Elm and Maple – a town who lends its name to the covered bridge that you’re looking for. The road will crook and jerk until you are clear of Ceylon, upon which you will find it heading east with fallow fields on either side of you. In recent years the trees have begun to overtake the land where the swamp used to live, and you will likely notice the horizon’s dark tree line and how the fields have become overgrown with saplings. I haven’t been there in years, so I imagine that the saplings have now turned into young trees, and that the thick brush that I can picture reaching its arms towards the road on either side have now become thick with newer saplings as the reclamation increases its gains.
As the road claws eastward, you will soon notice a flash of red and white: the walls of a covered bridge surrounded by the deep greens of the Wabash woodlands. Shortly after you recognize the white outline of its rounded mouth, you will find yourself pulling off the road on a gravel path leading up to the bridge. Off to one side – surrounded by swaying yellow grass as high as a man’s elbow – there will be a decaying pavilion, a rusted iron water pump, and a sun-faded sign announcing that you have arrived at Limberlost Park, and that you are now in the shadow of the Ceylon Bridge. Those who grew up in southern Adams County either saw the bridge as a historical curiosity that smacked obnoxiously of rural sentimentality – the sort