NOTE BY M. GRANT KELLERMEYER: A “key” in nautical geography is a low, sandy island that juts out of a sunken reef. This makes the more obvious meaning of the “key to grief” no less poignant: it is a story about a man’s journey from blissful ignorance to a confrontation with his looming mortality. There are few stories in the English language which are quite so delicious to read: Chambers is a powerful a painter of prose in this story as he is in “The Maker of Moons,” and the manner in which he illustrates atmosphere places him on the same plane as Stephen Crane, Jack London, and F. Scott Fitzgerald. “The Key to Grief” demands very little preface due to the nature of its plot, so I will leave you at this point with only one piece of advice: Chambers is fascinated with the role of fate, will, desire, and denial in his horror fiction, and all four play heavily in this proto-Jungian tour de force. It is a landscape of human psychology, and therefore one which requires an attentive reader, and likely a second read.
The Key to Grief
The moving finger writes, and, having writ, Moves on; nor all your piety nor wit Shall lure it back to cancel half a line, Nor all your tears wash out a word of it. --Fitzgerald.
The wild hawk to the wind-swept sky The deer to the wholesome wold, And the heart of a man to the heart of a maid, As it was in the days of old.
They were doing their work very badly. They got the rope around his neck, and tied his wrists with moose-bush withes, but again he fell, sprawling, turning, twisting over the leaves, tearing up everything around him like a trapped panther.
He got the rope away from them; he clung to it with bleeding fists; he set his white teeth in it, until the jute strands relaxed, unravelled, and snapped, gnawed through by his white teeth.
Twice Tully struck him with a gum hook. The dull blows fell on flesh rigid as stone.
Panting, foul with forest mould and rotten leaves, hands and face smeared with blood, he sat up on the ground, glaring at the circle of men around him.
"Shoot him!" gasped Tully, dashing the sweat from his bronzed brow; and Bates, breathing heavily, sat down on a log and dragged a revolver from his rear pocket. The man on the ground watched him; there was froth in the corners of his mouth.
"Git back!" whispered Bates, but his voice and hand trembled. "Kent," he stammered, "won't ye hang?"
The man on the ground glared.
"Ye've got to die, Kent," he urged; "they all say so. Ask Lefty Sawyer; ask Dyce; ask Carrots.—He's got to swing fur it—ain't he, Tully?—Kent, fur God's sake, swing fur these here gents!"
The man on the ground panted; his bright eyes never moved.
After a moment Tully sprang on him again. There was a flurry of leaves, a crackle, a gasp and a grunt, then the thumping and thrashing of two bodies writhing in the brush. Dyce and Carrots jumped on the prostrate men. Lefty Sawyer caught the rope again, but the jute strands gave way and he stumbled. Tully began to scream, "He's chokin me!" Dyce staggered out into the open, moaning over a broken wrist.
"Shoot!" shouted Lefty Sawyer, and dragged Tully aside. "Shoot, Jim Bates! Shoot straight, b'God!"
"Git back!" gasped Bates, rising from the fallen log.
The crowd parted right and left; a quick report rang out—another—another. Then from the whirl of smoke a tall form staggered, dealing blows—blows that sounded sharp as the crack of a whip.
"He's off! Shoot straight!" they cried.
There was a gallop of heavy boots in the woods. Bates, faint and dazed, turned his head.
"Shoot!" shrieked Tully.
But Bates was sick; his smoking revolver fell to the ground; his white face and pale eyes contracted. It lasted only a moment; he started after the others, plunging, wallowing through thickets of osier and hemlock underbrush.
Far ahead he heard Kent crashing on like a young moose in November, and he knew he was making for the shore. The others knew too. Already the gray gleam of the sea cut a straight line along the forest edge; already the soft clash of the surf on the rocks broke faintly through the forest silence.
"He's got a canoe there!" bawled Tully. "He'll be into it!"
And he was into it, kneeling in the bow, driving his paddle to the handle. The rising sun gleamed like red lightning on the flashing blade; the canoe shot to the crest of a wave, hung, bows dripping in the wind, dropped into the depths, glided, tipped, rolled, shot up again, staggered, and plunged on.
Tully ran straight out into the cove surf; the water broke against his chest, bare and wet with sweat. Bates sat down on a worn black rock and watched the canoe listlessly.
The canoe dwindled to a speck of gray and silver; and when Carrots, who had run back to the gum camp for a rifle, returned, the speck on the water might have been easier to hit than a loon's head at twilight. So Carrots, being thrifty by nature, fired once, and was satisfied to save the other cartridges. The canoe was still visible, making for the open sea. Some where beyond the horizon lay the keys, a string of rocks bare as skulls, black and slimy where the sea cut their base, white on the crests with the excrement of sea birds.
"He's makin' fur the Key to Grief!" whispered Bates to Dyce.
Dyce, moaning, and nursing his broken wrist, turned a sick face out to sea.
The last rock seaward was the Key to Grief, a splintered pinnacle polished by the sea. From the Key to Grief, seaward a day's paddle, if a man dared, lay the long wooded island in the ocean known as Grief on the charts of the bleak coast.
In the history of the coast, two men had made the voyage to the Key to Grief, and from there to the island. One of these was a rum-crazed pelt hunter, who lived to come back; the other was a college youth; they found his battered canoe at sea, and a day later his battered body was flung up in the cove.
So, when Bates whispered to Dyce, and when Dyce called to the others, they knew that the end was not far off for Kent and his canoe; and they turned away into the forest, sullen, but satisfied that Kent would get his dues when the devil got his.
Lefty spoke vaguely of the wages of sin. Carrots, with an eye to thrift, suggested a plan for an equitable division of Kent's property.
When they reached the gum camp they piled Kent's personal effects on a blanket.
Carrots took the inventory: a revolver, two gum hooks, a fur cap, a nickel-plated watch, a pipe, a pack of new cards, a gum sack, forty pounds of spruce gum, and a frying pan.
Carrots shuffled the cards, picked out the joker, and flipped it pensively into the fire. Then he dealt cold decks all around.
When the goods and chattels of their late companion had been divided by chance—for there was no chance to cheat—somebody remembered Tully.
"He's down there on the coast, starin' after the canoe," said Bates huskily.
He rose and walked toward a heap on the ground covered by a blanket. He started to lift the blanket, hesitated, and finally turned away. Under the blanket lay Tully's brother, shot the night before by Kent.
"Guess we'd better wait till Tully comes," said Carrots uneasily. Bates and Kent had been campmates. An hour later Tully walked into camp.
He spoke to no one that day. In the morning Bates found him down on the coast digging, and said: "Hello, Tully! Guess we ain't much hell on lynchin!"
"Naw," said Tully. "Git a spade."
"Goin' to plant him there?"
""Where he kin hear them waves?"
"Which way will he face?"
"Where he kin watch fur that damned canoe!" cried Tully fiercely.
"He—he can't see," ventured Bates uneasily. "He's dead, ain't he?"
"He'll heave up that there sand when the canoe comes back! An it's a-comin! An' Bud Kent'll be in it, dead or alive! Git a spade!"
The pale light of superstition nickered in Bates's eyes. He hesitated.
"The—the dead can't see," he began; "kin they?"
Tully turned a distorted face toward him.
"Yer lie!" he roared. "My brother kin see, dead or livin'! An he'll see the hangin' of Bud Kent! An' he'll git up outer the grave fur to see it, Bill Bates! I'm tellin' ye! I'm tellin' ye! Deep as I'll plant him, he'll heave that there sand and call to me, when the canoe comes in! I'll hear him; I'll be here! An we'll live to see the hangin' of Bud Kent!"
About sundown they planted Tully's brother, face to the sea.
On the Key to Grief the green waves rub all day. White at the summit, black at the base, the shafted rocks rear splintered pinnacles, slanting like channel buoys. On the polished pillars sea birds brood white-winged, bright-eyed sea birds, that nestle and preen and flap and clatter their orange-coloured beaks when the sifted spray drives and drifts across the reef.
As the sun rose, painting crimson streaks criss-cross over the waters, the sea birds sidled together, huddling row on row, steeped in downy drowse.
Where the sun of noon burnished the sea, an opal wave washed, listless, noiseless; a sea bird stretched one listless wing.
And into the silence of the waters a canoe glided, bronzed by the sunlight, jewelled by the salt drops stringing from prow to thwart, sea weed a-trail in the diamond-flashing wake, and in the bow a man dripping with sweat.
Up rose the gulls, sweeping in circles, turning, turning over rock and sea, and their clamour filled the sky, starting little rippling echoes among the rocks.
The canoe grated on a shelf of ebony; the seaweed rocked and washed; the little sea crabs sheered sideways, down, down into limpid depths of greenest shadows. Such was the coming of Bud Kent to the Key to Grief.
He drew the canoe halfway up the shelf of rock and sat down, breathing heavily, one brown arm across the bow. For an hour he sat there. The sweat dried under his eyes.
The sea birds came back, filling the air with soft querulous notes.
There was a livid mark around his neck, a red, raw circle. The salt wind stung it; the sun burned it into his flesh like a collar of red-hot steel. He touched it at times; once he washed it with cold salt water.
Far in the north a curtain of mist hung on the sea, dense, motionless as the fog on the Grand Banks. He never moved his eyes from it; he knew what it was. Behind it lay the Island of Grief.
All the year round the Island of Grief is hidden by the banks of mist, ramparts of dead white fog encircling it on every side. Ships give it wide berth. Some speak of warm springs on the island whose waters flow far out to sea, rising in steam eternally.
The pelt hunter had come back with tales of forests and deer and flowers everywhere; but he had been drinking much, and much was forgiven him.
The body of the college youth tossed up in the cove on the mainland was battered out of recognition, but some said, when found, one hand clutched a crimson blossom half wilted, but broad as a sap pan.
So Kent lay motionless beside his canoe, burned with thirst, every nerve vibrating, thinking of all these things. It was not fear that whitened the firm flesh under the tan; it was the fear of fear. He must not think—he must throttle dread; his eyes must never falter, his head never turn from that wall of mist across the sea. With set teeth he crushed back terror; with glittering eyes he looked into the hollow eyes of fright. And so he conquered fear.
He rose. The sea birds whirled up into the sky, pitching, tossing, screaming, till the sharp flapping of their pinions set the snapping echoes flying among the rocks.
Under the canoe's sharp prow the kelp bobbed and dipped and parted; the sunlit waves ran out ahead, glittering, dancing. Splash! splash! bow and stern! And now he knelt again, and the polished paddle swung and dipped, and swept and swung and dipped again.
Far behind, the clamour of the sea birds lingered in his ears, till the mellow dip of the paddle drowned all sound and the sea was a sea of silence.
No wind came to cool the hot sweat on cheek and breast. The sun blazed a path of flame before him, and he followed out into the waste of waters. The still ocean divided under the bows and rippled innocently away on either side, tinkling, foaming, sparkling like the current in a woodland brook. He looked around at the world of flattened water, and the fear of fear rose up and gripped his throat again. Then he lowered his head, like a tortured bull, and shook the fear of fear from his throat, and drove the paddle into the sea as a butcher stabs, to the hilt.
So at last he came to the wall of mist. It was thin at first, thin and cool, but it thickened and gre