With the sole exception of “Carmilla,” “Green Tea” reigns as J. Sheridan Le Fanu’s most widely celebrated and well-known supernatural tale. I know of many people who, when asked if they know anything about Le Fanu, will list these two stories and mention something about “Gothic horror” or “early weird fiction,” drawing comparisons with Poe, M. R. James, and Wilkie Collins. While these good people know a decent amount about “Carmilla” (presuming they have never read it – that

CREPUSCULAR (Adj.) : of, resembling, or relating to twilight; (of an animal) appearing or active in twilight. Synonyms: Half-light, semi-darkness, gloom, dusk, murk, sundown, nightfall, sunset, shadowy. UNCANNY (Adj.) : something which treads the boundary between normal and abnormal, causing anxiety by virtue of its not quite normal character; a humanoid creature or figure which is not quite human; strange or mysterious, especially in an unsettling way. Synonyms: eerie, unnat

J. Sheridan Le Fanu, Victorian master of shadowy terrors, is the undisputed prince of ghost story writers. While M. R. James may be their king, even Monty paid homage to his Irish inspiration, reviving Le Fanu’s reputation (by reprinting his stories in a 1923 anthology), and modelling many (if not most) of his more famous tales off of Le Fanu’s pattern. His ghost stories were chilling, and his ghosts were terrifyingly original – invasive, intrusive, aggressive: they left thei

The Victorian Age brings with it a tremendous amount of associations, baggage, and stereotypes that make it one of the most colorful periods in British history (or at least filmable; I myself am partial to the Georgian period, the Enlightenment, and the Civil War -- but that's my cross to bear). The Victorians are known -- someties unfairly -- for their saccharine sentimentalism, sexual repression, and jingoistic nationalism, and -- more or less fairly -- for a great thirst f